walk with me.....

Jay-Z and Kanye forthcoming album may be called Watch the Throne, but soon enough fans will be listening, not just looking, and it will have been worth the wait. On Thursday night, i was among the shortlist of media outlets invited to get an early listen to power duo's collaborative project.

The listening session was held in the Mercer Hotel, where the New York where parts of the album were recorded. Though it was originally set to begin at 8 p.m., Jay-Z walked into the hotel lobby closer to 9 (word is he was at a Yankees game hoping to see Derek Jeter get his 3,000th hit). The group of journalists followed the rapper up to a suite that had been transformed into a recording studio. Seated in the rear of the room, wearing a Yankees snap-back hat and crisp, white shell-toe Adidas, Hova balanced a MacBook Pro in his lap. After asking peeps in the attendance to introduce themselves, he got right into playing selections from the album, loudly.

Standout tracks included a pair of songs that feature Odd Future crooner Frank Ocean. Jay-Z relayed that he reached out to Ocean after hearing his Nostalgia, Ultra mixtape and wanted him to contribute to his next solo album. After their initial work went well — Ocean appears on one of two songs Jay-Z revealed he has recorded for the solo LP — Hova invited the crooner to get down on Watch the Throne too. The only other guest on the album is Beyoncé, who appears on the resounding "Lift Off," which sounds like it was tailor-made to be performed in large stadiums.

On another particularly interesting song, Jay-Z and Kanye deliver verses directed to their hypothetical unborn sons. (Note: Jay-Z's press representative asked that lyrics from songs not be quoted.) The Brooklyn MC recalled that Yeezy first recited his verse to him at New York's Museum of Modern Art. "I told him I wasn't going to get on it," Jay-Z told News of the song, adding that he thought Kanye's verse, running down his myriad past mistakes, is one of his best ever. "The honesty of it, it's just really cool."

Throughout the album, Yeezy holds his own when rapping alongside Jay-Z, a lyricist of the highest caliber. Other standout tracks that feature the duo trading rap bars include a song whose beat features a chopped up Otis Redding vocal sample that many requested be played again. Another song called "Living So Italian" also got a favorable response from the room.

Jay-Z played over a dozen songs and said that he hoped to finalize the track list by this weekend. He also admitted that the album is actually on its third itineration. Initially, he and Kanye were looking to make a grandiose project with elaborate songs, but they felt that doing so would take away from its enjoyment, so they chose to pare it down sonically.

"It's just so big and so much, you don't want that sh-- screaming in your house," Jay-Z said, referring to their early single, "H.A.M." "If we don't make records that we like and represent the culture, we would be over."

The room didn't start thinning out until near midnight, and as the session winded down, Jay-Z started playing additional tracks, including a song whose lyrics seems to hint that it was produced by No ID. Nodding his head along to the knocking grooves, he also played a song that features Swizz Beatz that he said probably won't make the final cut i said damn but fuck it everybody shit ain't hot but knowing jay that shit might be on there.

While pre-order receipts of Watch the Throne indicate that it will be shipped on "2011-08-02," Jay-Z and his representatives did not provide a solid release date for the highly anticipated album beyond saying fans would hear it "soon." Keep watching.

Below is a track-by-track description of Throne’s cuts. Mind you, all titles given (and some weren’t) are subject to change.

“No Church” – Features Odd Future R&B wonder Frank Ocean contrasting deities to mortals. Kanye and Jay rap of struggling, then conquering, over the roars of vicious animals.

“Lift Off” – This is likely the first single and features Jay’s better half—yep, Beyoncé—who uses her radiant outdoor voice to sing about rising to cosmic heights in life, spilling over tumbling drums and jabbing synths.

“That S— Crack” – A swaggering effort on which Jay compares his skills to Michael Jordan in his iconic Bulls finale and Kanye claims that his version on the royal wedding would include a certain pair of famous twins.

“Otis” – Brilliantly samples Otis Redding’s “Try a Little Tenderness” to produce the most tag-teamy of the album’s cuts. Jay and ‘Ye jump in and out of the ring, with Jay asserting he created the blueprint (get it?) from which rappers now follow, and Kanye references Audio Two’s “Top Billin’.” They’re chillin’.

[Untitled] – A sullen cut that sounds like it’s probably produced by RZA. The guys both apologize to their unborn kids for the lives they’ll inherit: Jay is sorry his kid will have paparazzi lenses on him from birth, while Kanye promises that his son will be the exact opposite of him, meaning perfectly behaved—and possibly Republican.

“Living So Italian” – Sampling Italian tenor Andrea Bocelli’s “Time To Say Goodbye,” Jay, displaying more of his American Gangster visage, coolly drops mafia slang. This is regal rap at its finest.

“Who Gon’ Stop Me?” – Jay pats himself on the back being a self-made millionaire even though he doesn’t have a reputable pedigree, giving the finger to those who thought he’d never make it.

“For Paper We Murder” – The duo attack societal ills like black-on-black crime, wars, and deadbeat dads.

“Sweet Baby Jesus” or “Made It in America” – An uplifting cut, supported by hard drums—and the second with Frank Ocean.

“I Love You So” – Likely the album’s final track. The pair find their kingdoms crumbling around them. Jay raps of having his heart stomped on and, over menacing strings, explains why he’s so guarded. The throne is in danger! Perfect cliffhanger and springboard to Watch the Throne 2, which Jay said is a possibility.

Oh, and remember “H.A.M.,” the single they dropped in January? Jay said they’re not even sure it will make the album. Performing it in concert is amazing, he says, but hearing it at home is an unpleasant experience. “I don’t want to hear all those voices screaming at me in the house,” he joked.